HEO + 3 – Heo – the private view and history of the event

Written by Claire Dorey.

From left: Artwork for the poster by Maria Beddoes.

Setting up the exhibition: Top: Curators from left: Selena Steele, Maria Beddoes, Claire Dorey. Next: Up a  ladder; Simon Stalley.

(pron) Anglo Saxon word for “SHE”

We are really pleased that the Weekender has given us some fantastic coverage on HEO. Click the Weekender link to access the article and see a preview of some of the artwork to be featured. Heo is our Self Portrait Exhibition by South London Women Artists at The Omnibus Theatre. 1 Clapham Common Northside SW4 0QW
Exhibition Monday 6th January – Friday 31st January
Private View Monday 6th January 2020 – 7-9pm

HEO is the Anglo Saxon word for “SHE”. Evoking images of historical heroines it is also the title for our self portrait exhibition. Twenty one female artists from South London Women Artists are taking part in this Exhibition which opens in early January 2020, in an exciting new art space at the Omnibus Theatre, which has recently been refurbished.

Full House at the Private View of HEO, 6th January 2020

Described as a Show of Strength, HEO celebrates Female Empowerment and the Self Image. It is the first event in the SLWA calendar for 2020 and the intention is to start the new year with new hope and new energy by embracing creativity and Sacred Feminine Wisdom.

By taking control of our own image we are rejecting the objectifying of women. We cease to be the object and become the subject. Even the humble selfie, should not be vilified, for it is an expression of creative freedom and a celebration of one’s own image. The subtext of Empowerment in this context of the self portrait is Self Acceptance and Self Knowledge (Knowing Your Own Story) and the intention is to portray these powerful tools as catalysts for living a successful life to its highest potential. The act of ‘looking at’ and ‘seeing’ oneself, then reproducing and ‘owning’ your self image is both a technical challenge as well as an existential one and we commend our artists for their skill and creativity in tackling this emotive subject.

Julie Bennett and her portrait Anti Selfie

Click the names to see highlights of speeches and performances at the Private View

Words as well as pictures were important themes at the Private View on Monday 6th January 2020 and Dr Mary Jacob BSc MA PHD,  spoke, adding an academic insight into the subject of Female Empowerment. Dr Mary Jacob is a Jungian Based Movement Therapist, Teacher and Lecturer in Social Sciences and Practitioner in many disciplines including Yoga, Complimentary Therapies and Mindfulness. The Rye Poets, Helen Adie, Joan Byrne and Pia Goddard, a trio who perform their potent, fast-paced combination of self-penned wit, wisdom and pathos in a unique ensemble style performed a set of poems for the occasion. And finally Edori Fertig topped the bill singing her single Where’s My Car. Curator Claire Dorey introduced the exhibition and curator Maria Beddoes showcased the Artists.

We will be showcasing individual self portraits and featuring Artist’s Statements, 1-21,  in following posts over the course of the next few weeks on the HEO blog. For a preview of portraits (images only without statements)  click here @SLWArtists to see them on instagram

The Rye Poets: From left: Pia Goddard, Helen Adie and Joan Byrne.

More footage of the performances and speeches can be seen on the SouthLondonWomenArtists facebook page.

HEO is the final exhibition in a trilogy of themed exhibitions, featuring South London Women Artists, curated by Claire Dorey, Maria Beddoes and Selena Steele, (Valerie Lambert co-curated Silence Is Over). In the trilogy the subject matter has ‘flowed’ and ‘evolved’ from one exhibition to the next. The three exhibitions stand alone as individual projects, however it is the intention that when presented as a series of three they provide a useful body of work raising awareness on difficult subjects that impact women’s lives.

Silence Is Over raised awareness on the silencing women through abuse, violence, and coercive control. Ex Voto dealt with trauma as well as offering creative solutions and a pathway out of suffering by looking at one strand of existential art therapy, Finally HEO points at success and positive outcomes via the self image and Female Empowerment.

You can view Artwork and Artist’s Statements and more details about the authors and performers, for Silence Is Over and Ex Voto – Violence and Healing by looking at earlier posts on the HEO+3 blog

Never afraid to tackle difficult subjects, the first exhibition in the trilogy was called Silence Is Over and was exhibited at the Portico Gallery in West Norwood in 2018. In Silence Is Over female artists had their say on a blank canvas on the subject of coercive control and sexual abuse. The canvases were assembled into two billboards to create a wall of unity. Traditionally used for advertising, often objectifying women, the billboards served as a reclaimed space where the female voice could be heard.

At the time of the exhibition the ‘Weinstein’ ripple effect and the #Me Too movement were gaining momentum, raising awareness and encouraging open conversation on the subject of abuse, a practice that can often be hidden within plain sight. The idea for using billboards referenced SaveArtSpace: The Future Is Female, The Guerrilla Girls and themes explored in the film Three Billboards Outside Ebbing Missouri. The artists who took part offered insights from diverse professional back grounds and were united in the belief that engaging with the subject will help to create a healthier society.

The second exhibition in the trilogy was called Ex Voto – Violence and Healing and was in collaboration with Consultant Forensic Psychotherapist John Adlam and Professor Wayne Martin, with reference to the book Violent States and Creative States (2018) and in support of the important role that Ex Voto can play in Existential Therapeutic Work, via the themes of trauma, spirituality and gratitude, as explored in Chapter 16 of Volume 2 of the book. John Adlam is Editor of Violent States and Creative States and Wayne Martin wrote Chapter 16 on Ex Voto in Mexican Art.

Ex Voto was shown at Upstairs at The Ritzy in Brixton in 2019 and featured artwork by SLWArtists which explored this Mexican Folk Art tradition, depicting individual misfortunes and expressions of gratitude for divine healing.

“An ex voto retablo is a distinctively Mexican form of religious folk art [ ] in which the victim of the trauma expresses gratitude for a miraculous intervention. Violence (whether feared or actual) is a common theme in ex voto paintings, which portray (inter alia) executions, lynchings and assaults. The form has recently been used to explore violence associated with Mexican drug trafficking” (Professor Wayne Martin Chapter 16)

At the private view both John and Wayne gave engaging speeches about the book and the chapter on Ex Voto, creating an academic backdrop to the art work.

To create is to access divine energy and transformations of a profound nature can happen. The journey we have portrayed, from trauma, through healing, to empowerment, over three exhibitions is a celebration of individual self reflection, tenacity and creativity: a Show of Strength.

HEO is curated by Claire Dorey, Maria Beddoes and Selena Steele

List of artists participating in HEO: Angele Lautier, Barbara Veena Scialo, Caroline Macey, Chrissy Thirlaway, Claire Dorey, Edori Fertig, Helen Adie, Jennifer Merrell, Julie Bennett, Karen J Smith, Karen Piddington, Kate Redfern, Ky Lewis, Liz Dalton, Maggie Lloyd, Maria Beddoes, Marnie Pitts, Pia Goddard, Selena Steele, Zoe Powell, Rhiannon Williams.

In following posts over the next few weeks well be featuring all the self portraits and artist’s statements that were exhibited at HEO.

To view all the portraits (images only, without statements) on instagram click here @SLWArtists